Starry Night Over the Rhone

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Starry Night Over the Rhone

Vincent van Gogh, 1888

oil on canvas

72.5 × 92 cm

Musée d'Orsay

Main article: Vincent van Gogh

Starry Night over the Rhone (September 1888) is one of Vincent van Gogh's paintings of Arles at night; it was painted at a spot on the banks of river which was only a minute or two's walk from the Yellow House on the Place Lamartine which Van Gogh was renting at the time. The night sky and the effects of light at night provided the subject for some of his more famous paintings, including Cafe Terrace at Night (painted earler the same month) and the later canvas from Saint-Rémy, The Starry Night.

The challenge of painting at night intrigued Van Gogh. The vantage point he chose for Starry Night over the Rhone allowed him to capture the reflections of the gas lighting in Arles across the glimmering blue water of the Rhône. The sky is illuminated by the constellation Ursa Major (the Great Bear). In the foreground, two lovers stroll by the banks of the river.

Depicting color was of great importance to Van Gogh. In letters to his brother, Theo van Gogh, he often described objects in his paintings in terms of color. His night paintings, including Starry Night over the Rhone, emphasize the importance he placed in capturing the sparkling colors of the night sky and the artificial lighting that was new to this period.

Contents 1 Remarks 2 Resources 2.1 Pedigree 2.2 Notes 2.3 References

[edit] Remarks

• The view is from the quai on the western, east side of the Rhone into the knee of the river: coming down from the North, at this point the Rhone turns to the right to surround the rocks on which Arles is build. From the towers of Saint-Julien and Saint-Trophime at the left, the spectator follows the east bank up to the bridge connected Arles to the suburb of Trinquetaille on the right, western bank. This implies a view from Place Lamartine towards South-East.
• This is definitely not the spot, where Ursa Major can be seen from Place Lamartine: Its common place is in the North, i.e. in the back of the spectator.
• The foreground indicates heavy rework, wet-in-wet, as soon as the first state was finished.^[1] The letter sketches executed at this time probably are based on the original composition.
• The painting was first exhibited in 1889 at the annual exhibition of the Société des Artistes Indépendants in Paris, together with the Irises. The latter was added by Theo, while Vincent had proposed one of his paintings from the Public Gardens.

[edit] Resources

[edit] Pedigree

[edit] Notes

1. ^ For a tracing of the original composition see Roland Dorn 1990, ill. p. 388

[edit] References

• Boime, Albert: Vincent van Gogh: Starry Night. A history of matter, a matter of history (also available on CD-ROM: ISBN 3-634-23015-0 (German version))
• Dorn, Roland: Décoration: Vincent van Gogh's Werkreihe für das Gelbe Haus in Arles, Georg Olms Verlag, Hildesheim, Zürich & New York 1990 ISBN 3-487-09098-8 / ISSN 0175-9558

Vincent van Gogh

General: The Artist | Chronology | Medical condition | Posthumous fame | Post-Impressionism | Theo van Gogh | Paul Gachet | Paul Gauguin | Van Gogh Museum | Cultural depictions Groups and series of works: The Décoration for the Yellow House | The Roulin Family | Display at Les XX, 1890 | Auvers size 30 canvases | Auvers Double-squares and Squares Paintings: List of works | Self-Portraits | Sunflowers | The Potato Eaters | Bedroom in Arles | The Red Vineyard | The Night Café | The Yellow House | The Starry Night | Irises | The Church at Auvers | Wheat Field with Crows | Cafe Terrace at Night | Portrait of Dr. Gachet | Thatched Cottages by a Hill