Genre studies
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Genre studies are a structuralist approach to literary theory, film theory, and other cultural theories. When studying a genre in this way, one examines the structural elements that combine in the telling of a story and find patterns in collections of stories. When these elements (or codes) begin to carry inherent information, a genre is emerging.
A simple example of this is that of a western movie where two men face each other on a dusty and empty road; one dons a black hat, the other white. Independent of any external meaning, there is no way to tell what the situation might mean, but due to the long development of the "western" genre, it is clear to the informed audience that they are watching a gunfight showdown between a good guy and a bad guy.
It has been suggested that genres resonate with people because of the familiarity, the short-hand communication, as well as the tendency of genres to shift with public mores and to reflect the zeitgeist. Many have considered genre storytelling as lesser forms of art because of the heavily borrowed nature of the conventions. However, admiration has grown. Proponents argue that the genius of an effective genre piece is in the variation, combinations, and evolution of the codes.
Genre studies have perhaps gained the most recognition in film theory, where the study of genre directly contrasts with auteur theory, which privileges the director's role in crafting a movie.
[edit] See also
- Computer and video game genres
- Film genre
- Formula fiction
- Genre fiction
- Literary genre
- Music genre
- Plot device
- Stock character
