Stormwatch (album)
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| Stormwatch | ||
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| Studio album by Jethro Tull | ||
| Released | September 14, 1979 | |
| Recorded | 1978 - 1979 | |
| Genre | Progressive rock | |
| Length | 44:58 | |
| Label | Island Records (UK) Chrysalis Records (US) |
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| Producer(s) | Ian Anderson Robin Black |
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| Professional reviews | ||
|---|---|---|
| Jethro Tull chronology | ||
| Bursting Out (1978) |
Stormwatch (1979) |
A (1980) |
Stormwatch (1979) is an album by the rock group Jethro Tull - the third in a trilogy of albums mixing traditional British Isles folk harmonies with more conventional pop rock music. The album deals with the deterioration of the environment, warning of an apocalyptic future if mankind does not cease its drive for economic growth and pay attention to nature. Indeed, it is the last stage of the growth of pessimism following the hope of Songs from the Wood and the darker view of Heavy Horses.
In 2004, a remastered version of Stormwatch was released with an additional four bonus tracks.
Contents |
[edit] Track listing
- "North Sea Oil" – 3:12
- "Orion" – 3:58
- "Home" – 2:46
- "Dark Ages" – 9:13
- "Warm Sporran" – 3:33
- "Something's On The Move" – 4:27
- "Old Ghosts" – 4:23
- "Dun Ringill" – 2:41
- "Flying Dutchman" – 7:46
- "Elegy" – 3:38
- "A Stitch In Time" – 3:40 (bonus track)
- "Crossword" – 3:38 (bonus track)
- "Kelpie" – 3:47 (bonus track)
- "King Henry's Madrigal" – 3:01 (bonus track)
[edit] Credits
- Ian Anderson – Vocals, Flute, Acoustic Guitar, Bass Guitar
- Martin Barre – Electric Guitar, Mandolin and Classical Guitar
- Barriemore Barlow – Drums, Percussion
- John Evan – Piano, Organ
- David Palmer – Synthesizers, Portable Organ and Orchestral Arrangements
- John Glascock – Bass Guitar in Flying Dutchman, Orion and Elegy
- Francis Wilson – Spoken Voice
All songs composed by Ian Anderson, except Elegy by David Palmer and King Henry's Madrigal, a traditional composition.
[edit] Trivia
- Dun Ringill is an Iron Age fort on the island of Skye.
- It is sometimes rumored that Elegy was a homage to John Glascock — who was very ill at the time due to a congenital heart defect, and would die shortly after the album's release. Actually, it is an elegy to David Palmer's father.
