Steve Alaimo
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Steve Alaimo was a teen idol pop singer in the early 1960's who later became record producer and label owner, but he is perhaps best known for hosting and co-producing Dick Clark's Where the Action Is in the late 1960's.
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[edit] Early Years and The Redcoats
Alaimo was born in Omaha, Nebraska on December 6, 1939, and moved to Rochester, New York at the age of five. He entered the music business during his time as a pre-med student attending the University of Miami. He entered music by joining his cousin's instrumental rock band The Redcoats, becoming the guitarist, and eventually, the singer. After playing a Sock hop held by local Disc jockey Bob Green and label owner Henry Stone, the band earned a record deal with Stone's "Marlin Records". In 1959, I Want You To Love Me became a regional hit for the band. Green became Alaimo's manager, ultimately giving up the role to Stone. That same year, Dick Clark's Caravan of Stars came to Miami needing a band to back up artists, so The Redcoats became that band.
[edit] Solo Career
The Redcoats broke up in 1960, and under Stone's tutelage, Alaimo became a "blue-eyed soul singer" with an all African-American back-up band. With his new act, he became the house band for a local club known as Edan Roc. Despite his rising local fame, he released two solo albums that didn't do exactly earn him the national spotlight. During this time, Stone put Alaimo to work as a promotion man for Stone's Tone Distributors, which got him acquainted with the music industry at large.
[edit] National Recording Career
Through his promotion job, Alaimo landed his first major record deal with Checker Records, a subsidiary of Chess Records, in 1961. There, he struck a minor amount of gold in 1963 with his single Everyday I Have to Cry Some, peaking at 46 on the Billboard Charts. Later that year, Alaimo left Checker for Imperial Records, and ABC Records, but the fame of his recording career would soon be eclipsed.
[edit] TV Host: Where the Action Is
Remembering the favor The Redcoats did, Dick Clark wanted to hire the band again for the music show Where the Action Is, but The Redcoats had broken up. Instead, Clark hired Alaimo as the male host and music director. As music director, Alaimo took the opportunity to promote his own records on air, however, he rarely had time to record new songs. Alaimo would also become co-producer of the show, which lasted from 1965-1966.
[edit] Music Production and Acting
After the show's end, he signed with Atlantic Records/Atco Records. In the mid-1960's, he began producing music for groups such as Sam & Dave, Harold Melvin & The Bluenotes, and an early incarnation of The Allman Brothers. This became a very fertile period, producing many hit records. He also took on the role of film actor during this time, although the films became forgotten fodder.
[edit] TK Records
In 1969, Henry Stone reunited with Alaimo, who setup Alston Records for as an outlet for Alaimo's vision. There, he hit big with Betty Wright's Cleanup Woman, impressing Stone enough to work him in as a full-time partner. Alaimo decided to retire himself as a frontman, and focus exclusively on running a record label. In 1972, Timmy Thomas hit with Why Can't We live Together for Henry's "Glade Records", which was released in partnership with Atlantic Records. Realizing they can have this type of success alone, Stone decided to consolidate many of his labels under the TK Records umbrella with Alaimo in 1973, releasing records independent of the major label system. In 1974, Harry Wayne Casey and Rick Finch presented a demo to Stone and Alaimo, and they advised having George McCrae sing the final version. The song, Rock Your Baby, charted as a number one single 1974. Shortly after, the business partnership would rule the music world with the release of KC and the Sunshine Band.
[edit] Vision Records
TK Records closed up shop in 1981, forcing Henry Stone to seek out Morris Levy for financial relief, forging a new partnership. Alaimo was edged out, and personally had fallen on hard times. Come 1987, Alaimo was back on his feet, forming Vision Records with engineering giants Ron and Howard Albert, which specialized in top-notch recording for huge stars that once graced Criteria Studios during the 1970's. The label also dabbled in the production and promotion of Miami Bass records including artists such as Beatmaster Clay D.
