James P. Nichols

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James P. Nichols is recognized as an expert in the recording industry having served as executive producer and master engineer.

[edit] Education

His involvement in the recording industry began in 1973 when after studying recording at The New School For Social Research, he obtained an Assistant Engineer position at A1 Studios in New York, where he worked for two years under Herb Abramson, one of the founders of Atlantic Records. He then moved on in 1975, to Sound Mixers, which was primarily a jingle studio recording Burger King and Volkswagen 30 second spots in the day and dance records at night. He then worked for Electric Lady Studios where most notably he assisted, engineered, and performed with The Clash on the “Sandanista” album.

He continued his education enrolling at New York Technical College studying Electronics for Communications, Prototype Fabrications and Microprocessors. After graduation, he rekindled old associations in the industry and landed a job at A&R Studios home of Phil Ramone in 1980. Encouraged to record, one of his “Weekend Album Projects” was the first Boogie Down Productions LP on B Boy Records with Scott La Roche and KRS One. The single “The Bridge is Over” remains par for Rap Hip-Hop’s historical course.

A&R Studios is also where he gained his first experiences in music/film engineering and lockup. In 1982 he went to work as a systems prototype fabricator with TimeLine Inc. headed by Jerry Block, formerly studio head for Sigma Sound Studios in New York. There he built the first working prototype and proceeding first line of The Lynx Time Code Module, a staple device in studios worldwide.

[edit] Career

Because of his experience with the Lynx, RCA Recording Studios hired him in 1984. The studios, whose history was in Broadway cast recordings, wanted to become a presence in large-scale orchestra film scoring in New York. RCA Recording soon became the major scoring stage on the east coast and there he was promoted to Master Engineer which led to his working as Scoring Engineer, Recording Engineer, and Mastering Engineer for Jazz, Broadway, and Classical products.

In 1996, after a previous three nominations, he won a Grammy Award for “Best Historical Recording” of “The Jascha Heifetz Collection”. Also in 1996 he moved on to Manhattan Center Studios, New York, as a Producer/Engineer. He completed several projects including “Ed Wood” starring Johnny Depp and “Butcher Boy” featuring the music of critically acclaimed composer Elliott Goldenthal, as well as The Pat McGuire Band for Inverin Records.

Again in 1997 he received a Producer Grammy nomination for the Broadway hit “Bring in Da Noise, Bring in Da Funk” for RCA Victor.

Currently he is traveling the world creating live sound environments with the Nicholas Payton Quintet and Big Band Orchestra. He also heads an organization founded by himself, entitled “Commercial Free Jazz” whose function as an institution is to support and provide a platform for experimentation in recording and helping artists worldwide realize the potential of their work.

In recent months, Mr Nichols has begun the next phase of his career by expanding the bounds of his sonic expetise as a Film Engineer for Dolby Laboratories.