Herbert Read

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Sir Herbert Edward Read, MC, DSO (1893–1968) was an English poet and critic of literature and art.

He was born in Kirbymoorside in North Yorkshire. His studies at the University of Leeds were interrupted by the outbreak of World War I, during which he served in France, where he received both the Military Cross and the Distinguished Service Order. During the war, Read founded with Frank Rutter the journal Arts and Letters, one of the first literary periodicals to publish work by T.S. Eliot.

His first volume of poetry was "Songs of Chaos", self-published in 1915. His second collection, published in 1919, was called Naked Warriors and drew on his experiences fighting in the trenches of the First World War. His work, which shows the influence of imagism, was mainly in free verse. His Collected Poems appeared in 1946 (revised edition 1966). As a critic of literature, Read mainly concerned himself with the English Romantic poets (as in The True Voice of Feeling: Studies in English Romantic Poetry, 1953, for example). He published a novel, The Green Child. He contributed to the Criterion (1922–1939) and he was many years a regular art critic for the Listener.

However, Read was (and remains) better known as an art critic. He was a champion of modern British artists such as Paul Nash, Ben Nicholson, Henry Moore and Barbara Hepworth. He became associated with Nash's contemporary arts group Unit One. Read was professor of fine arts at the University of Edinburgh (1931–33); and editor of the trend-setting Burlington Magazine (1933–38). He was one of the organisers of the London International Surrealist Exhibition in 1936 and the editor of the book Surrealism, published in 1936, with contributions from André Breton, Hugh Skyes Davies, Paul Eluard and Georges Hugnet. He also served as a trustee of the Tate Gallery and as a curator at the Victoria & Albert Museum (1922–1939), as well as co-founding the Institute of Contemporary Arts with Roland Penrose in 1947.

Read was knighted by Prime Minister Winston Churchill in 1953 for "services to literature". Politically, however, he regarded himself as an anarchist, albeit in the English quietist tradition of Edward Carpenter and William Morris.

Dividing Read's writings on politics from those on art and culture is difficult as he saw art, culture and politics and a single congruent expression on human consciousness. Amongst his written works are Art Now (1933), Art and Industry (1934), Anarchy & Order; Poetry & Anarchism (1938), Philosophy of Anarchism (1940), Education Through Art (1943), "Existentialism, Marxism and Anarchism" (1949), Revolution & Reason (1953), "Icon and Idea" (1955), To Hell With Culture (1963), My Anarchism (1966) and "Art and Alienation" (1967). His total work is huge, amounting to over 1,000 published titles.

To Hell With Culture was republished by Routledge in 2002 and deals specifically with Read's disdain for the term culture and expands on his anarchist view of the artist as artisan, as well as presenting a major analysis of the work of Eric Gill.

In his philosophical outlook, Read was close to the European Idealist traditions represented by Friedrich von Schelling, Johann Gottlieb Fichte and Samuel Taylor Coleridge, believing that reality as it is experienced by the human mind was as much a product of the human mind as any external or objective actuality. In other words, the mind is not a camera recording the reality it perceives through the eyes; it is more like a projector throwing out its own reality. It was this philosophical underpinning that gave his art theory its strength, as the pupose of art is to create our sense of reality. This meant that art was not, as many Marxists believed, simply a product of a bourgeois society, but a psychological process that had evolved simultaneously to the evolution of consciousness. Art was, therefore, a biological phenomenon, a view that frequently pitted Read against Marxist critics such as Anthony Blunt in the 1930s. It was also this Idealist background that led Read towards an interest in psychoanalysis, particularly the theories of Carl Gustav Jung. Indeed, Read was a pioneer in the English-speaking world in the use of psychoanalysis as a tool for art and literary criticism.

Read was probably the first English writer to take an interest in the writings of the French existentialists - as early as 1949 - and in particular those of Jean-Paul Sartre. Although Read never described himself as an existentialist, he did acknowledge that his theories often found support amongst those who did. Read perhaps was the closest England came to an existentialist theorist of the European tradition.

Following his death in 1968, Read was neglected, arguably due to the increasing predominance of social theories of art, including Marxism, in academia. His work continued to be read by some followers and academics. In the 1990s there was a revival of interest in him following a major exhibition in 1993 at Leeds City Art Gallery. Since then more of his work has been republished and there was a Herbert Read Conference, at Tate Britain in June 2004.

[edit] Quotes

• "Art is an attempt to create pleasing forms."

From To Hell With Culture 1963:

• "A democracy does not despise or suppress that faculty which the totalitarian socialist makes so elusive – his thinking or rational faculty. The libertarian socialist must also plan, but his plans, apart from being tentative and experimental, will make the widest use of all human faculties.

• "The libertarian planner must also remember that cities are built for citizens, and the houses and buildings will be inhabited, not by ciphers, but by human beings with sensations and feelings, and that these human beings will be unhappy unless they can freely express themselves in their environment.

• "For it is upon personal happiness that society ultimately and collectively depends."

[edit] External links

• Herbert Read page from the Anarchist Encyclopedia