DeWolf Hopper
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DeWolf Hopper (March 30, 1858 – September 23, 1935) was an American actor, singer, comedian, and theatrical producer. A star of the musical stage, he was best-known for performing the popular baseball poem Casey at the Bat.
He was born William DeWolf Hopper in New York, New York, the son of John Hopper (born 1815) and Rosalie DeWolf (born 1827). His father was a wealthy Quaker lawyer and his mother came from a noted Colonial family. Though his parents insisted he become a lawyer, Hopper did not enjoy that profession.
He made his stage debut in New Haven, Connecticut, October 2, 1878. Originally, he wanted to be a serious actor, but at 6' 3" (1.90 m) and 230 pounds, he was too large for most dramatic roles. He had a loud bass singing voice, however, and made his mark in musicals, beginning in Harrigan and Hart's company. He achieved the status of leading man in The Black Hussar (1885).
Eventually, he starred in more than thirty Broadway musicals, including Castles in the Air (1890), Wang (1891), and John Phillip Sousa's El Capitan (1899), which met with great success in London. The role that he remembered with greatest pleasure was Old Bill in The Better Ole (1919).
Known for his comic talents, Hopper appeared in a number of Gilbert and Sullivan comic "patter" roles from 1921 to 1925, including The Mikado, Patience, and H.M.S. Pinafore.
A lifelong baseball enthusiast and New York Giants fan, he first performed Ernest Thayer's then-unknown poem Casey at the Bat to the Giants and Chicago Cubs the day his friend, Baseball Hall of Fame pitcher Tim Keefe had his record 19 game winning streak stopped, August 14, 1888. Two months later the Giants won New York's first World Series. Hopper helped make the comic poem famous and was often called upon to give his colorful, melodramatic recitation, which he did about 10,000 times in his booming voice, reciting it during performances and as part of curtain calls, and on radio. He released a recorded version in 1906 that hit No. 3 on the Billboard chart.
Bald from childhood (he had alopecia), Hopper wore wigs both on and offstage. In later years, a reaction to harsh medicines that he took for throat problems made his skin have a bluish tinge. Regardless, his powerful voice and great sense of humor seemed an attraction to women all his life. With an insatiable appetite for young actresses, he left a long trail of six wives and countless mistresses in his wake -- he became known by the nickname "The Husband of His Country." His wives were: Ella Gardiner (divorced); actress Ida Mosher (divorced); actress Edna Wallace (married 1893-divorced 1898); actress Nella Bergen (married 1898)-divorced April 1913); actress Elda Furry (married 1913-divorced 1924) (who later became one of Hollywood's most feared gossip columnists, Hedda Hopper); and singer/actress Lulu Glaser (married 1925-his death 1935).
He and his second wife, Ida, had one son; and he and his fifth wife, Hedda, had one son, William DeWolf Hopper, Jr. (1915-1970), later known as movie and TV actor William Hopper.
Hopper also appeared in several silent motion pictures, one of them a 1915 version of Don Quixote. Hopper also appeared in a few short sound films, including him reciting Casey at the Bat (1923) in an experimental film in Lee De Forest's Phonofilm process.
He made a Broadway appearance in White Lilacs (1928). He then did Radio City Music Hall Inaugural (1932), and played Dr. Gustave Ziska in The Monster (1933). At the time of his death, he was in Kansas City, Missouri, making a radio appearance.
DeWolf Hopper died of a heart attack at age 77 in a hospital in Kansas City. His ashes are interred in Green-Wood Cemetery, Brooklyn, New York.
[edit] Trivia
- His third wife, Edna, later married Wall Street broker O. Brown.
- His fourth wife, Nella, who he married in London, was born a Reardon. She was divorced from actor James Bergen.
- His sixth wife, Lulu, whose real name was Lillian, was previously married to a California dentist, Dr. Glaser.
