Oscar per la migliore coreografia
Da Wikipedia, l'enciclopedia libera.
- 1936
- Dave Gould - "I've Got a Feeling You're Fooling" da Follie di Broadway 1936 (Broadway Melody of 1936) e "Straw Hat" da Folies Bergere (Folies Bergere)
- Busby Berkeley - "Lullaby of Broadway" e "The Words Are In My Heart" da Donne di lusso (Gold Diggers of 1935)
- Bobby Connolly - "Latin from Manhattan" da Canzoni appassionate (Go Into Your Dance) e "Playboy from Paree" da Broadway Hostess (Broadway Hostess)
- Sammy Lee - "Lovely Lady" e "Too Good To Be True" da King of Burlesque (King of Burlesque)
- LeRoy Prinz - "It's the Animal in Me" da Big Broadcast of 1936 (Big Broadcast of 1936) e "Viennese Waltz" da All the King's Horses (All the King's Horses)
- Benjamin Zemach - "Hall of Kings" da La donna eterna (She)
- Hermes Pan - "Piccolino" e "Top Hat, White Tie, and Tails" da Cappello a cilindro (Top Hat)
- 1937
- Seymour Felix - "A Pretty Girl Is Like a Melody" da Il Paradiso delle fanciulle (The Great Ziegfeld)
- Busby Berkeley - "Love and War" da Amore in otto lezioni (Gold Diggers of 1937)
- Bobby Connolly - "1000 Love Songs" da Caino e Abele (Cain and Mabel)
- Dave Gould - "Swingin' the Jinx" da Nata per danzare (Born To Dance)
- Jack Haskell - "Skating Ensemble" da Turbine bianco (One in a Million)
- Russell Lewis - "The Finale" da Il pirata ballerino (Dancing Pirate)
- Hermes Pan - "Bojangles of Harlem" da Follie d'inverno (Swing Time)
- 1938
- Hermes Pan - "Fun House" da Una magnifica avventura (A Damsel in Distress)
- Busby Berkeley - "The Finale" da Invito alla danza (Varsity Show)
- Bobby Connolly - "Too Marvelous for Words" da Ready, Willing and Able (Ready, Willing and Able)
- Dave Gould - "All God's Children Got Rhythm" da Un giorno alle corse (A Day at the Races)
- Sammy Lee - "Swing Is Here to Stay" da Alì Babà va in città (Ali Baba Goes to Town)
- Harry Losee - "Prince Igor Suite" da Scandalo al Grand Hotel (Thin Ice)
- LeRoy Prinz - "Luau" da Waikiki Wedding (Waikiki Wedding)
