Quadrophenia (film)

From Wikipedia, the free encyclopedia

Quadrophenia
Phil Daniels on the U.S. DVD cover for Quadrophenia
Directed by	Franc Roddam
Produced by	Roy Baird Bill Curbishley
Written by	Dave Humphries Franc Roddam Martin Stellman Pete Townshend
Starring	Phil Daniels Leslie Ash Philip Davis Mark Wingett Sting
Music by	The Who Various Artists
Cinematography	Brian Tufano
Editing by	Sean Barton Mike Taylor
Distributed by	The Who Films
Release date(s)	September 14, 1979 (Toronto Film Festival)
Running time	120 min.
Language	English
Budget	N/A
IMDb profile

Quadrophenia is a 1979 British film based on the 1973 rock opera album Quadrophenia by The Who. The film stars Phil Daniels as a Mod named Jimmy. The film also stars Toyah Willcox, Mark Wingett, John Altman, Leslie Ash, Ray Winstone, Michael Elphick and Sting. It was directed by Franc Roddam in his feature directing debut.

In 2004 the magazine Total Film named Quadrophenia the 35th greatest British film of all time.

Contents 1 Story 1.1 The ending 2 Response 3 Soundtrack 4 Differences with the original 5 Production notes 6 DVD releases 7 Tributes 8 See also 9 References 10 External links

[edit] Story

It's London, 1964, and Jimmy is a member of a Mod gang (well-dressed youths who ride Vespa and Lambretta scooters). Mods are always fighting with Rockers, who in turn wear black leather and ride motorcycles. Disillusioned by his parents and a dead-end job in an advertising firm, Jimmy only finds an outlet for his teenage angst with his mod pals Dave, Chalky and Spider. A three-day bank holiday provides the excuse for the rivalry between the two gangs to come to a head, as they both descend upon the seaside town of Brighton.

The film is a reflection of the proto-punky, pre-Thatcherite Britain, documenting the amphetamine-fueled narcissism of youth culture in the 1960s. Central to the story are the clashes between Mods and Rockers of the time, culminating with a bloody battle on a beach at Brighton, which was based on a real life event.

[edit] The ending

In the famous ending, Jimmy supposedly drives himself off a cliff in a form of suicide. Although we don't see Jimmy, we see the scooter fly through the air and crash on the rocks. This has led people to debate on whether or not Jimmy went off the cliff and died. The average answer is that Jimmy must have jumped off the scooter at the last second before falling to his death. Several cast and crew members have claimed that the opening shot in the film is also the 'end' of the end. It shows Jimmy walking away from the cliff, unhurt, but without his scooter.

'Debate' on the ending scenes of the film is largely misplaced, as a figure (Jimmy) is clearly seen on the top of the cliffs in a split second (entirely deliberate) shot as the scooter flies through the air. The opening scene of the film is, indeed, Jimmy walking back up the incline from the cliff-edge. He's symbolically trashed the culture of mod (and trashed the Ace Face scooter at that) due to the easy-to-follow disillusionment with friends, lifestyle and 'politics' of youth culture. Ace Face is not all he seems, and Jimmy realizes that the whole raison d'etre of mod is built on fragile foundations.

[edit] Response

The film was received mostly negatively by critics and was panned for its large amounts of sex, violence, profanity and drug use, which at the time was fairly uncommon. It did acquire a large word of mouth reputation amongst teenagers too young to go and see it. However, today it is considered a cult classic and is recognized as a realistic reflection of youth culture in the 1960s. Many have praised Phil Daniels' intense performance.

It was a major influence on the short-lived mod revival in music and fashion which provided a launching pad for the careers of bands such as Secret Affair, The Chords and The Lambrettas while boosting the popularity of The Jam previously perceived as a punk act. Sting's appearance in it also benefitted his band The Police despite their music being wholly incongruous with traditional mod tastes.

[edit] Soundtrack

1. The Who - I Am the Sea
2. The Who - The Real Me
3. The Who - I'm One
4. The Who - 5:15
5. The Who - Love Reign O'er Me
6. The Who - Bell Boy
7. The Who - I've Had Enough
8. The Who - Helpless Dancer
9. The Who - Doctor Jimmy
10. High Numbers - Zoot Suit
11. Cross Section - Hi Heel Sneakers
12. The Who - Get Out and Stay Out
13. The Who - Four Faces
14. The Who - Joker James
15. The Who - The Punk And the Godfather
16. James Brown - Night Train
17. The Kingsmen - Louie Louie
18. Booker T. & the MG's - Green Onions
19. The Cascades - Rhythm of the Rain
20. The Chiffons - He's So Fine
21. The Ronettes - Be My Baby
22. The Crystals - Da Doo Ron Ron
23. High Numbers - I'm the Face

[edit] Differences with the original

The film neglects the four-way split personality aspect to the original Who album, focusing more on the album's subplot of the Mod vs Rocker battles of the 1960s.

[edit] Production notes

Several references to The Who appear throughout the film, including an anachronistic inclusion of a repackaged Who album that was not available at the time. The film was almost canceled when Keith Moon, a member of The Who, died, but in the words of Roddam, the producers, Roy Baird and Bill Curbishley, 'held it together' and the film was made.

Only one scene in the whole film was shot on the studio; all others were on location. Beachy Head, where Jimmy may or may not try to kill himself at the end of the film, was the location of a real-life suicide that influenced the soundtrack and film adaptation (Beachy Head is a well-known suicide spot with locals). The stunt coordinators underestimated the length that the scooter would fly through the air after being driven off Beachy Head. Franc Roddam, who shot the scene from a helicopter, was almost hit.

[edit] DVD releases

Universal first released the film on DVD in 1999 with an 8-minute montage featurette. It notoriously used the VHS print, which was extremely grain and washed-out and full of print damage.

Following this in the US was a special edition by Rhino, which included a remastered but matted wide screen transfer, a commentary, several interviews, galleries, and a quiz. However, it was shorter cut of the film, with several minutes of footage missing, so it still truly wasn't considered the definitive DVD of the film.

On August 7 2006, Universal improved upon their original DVD with a Region 2 two-disc special edition. The film was digitally remastered and included a brand new commentary by Franc Roddam, Phil Daniels and Leslie Ash. Disc 2 features an hour-long documentary and a featurette with Roddam discussing the locations. Like their previous DVD, it was the complete, longer version, and like the US DVD it was a mattered wide screen version rather than the original full screen. [1]

[edit] Tributes

In 2006, a 1 minute version of Quadrophenia was filmed and performed by actor/writters "B13" on Brighton Beach using spacehoppers titled spacehopper quadropheniait has been endorsed by Pete Townshend himself on his In The Atic Podcast.

[edit] See also

• The Who
• Quadrophenia

[edit] References

• Ali Catterall and Simon Wells, Your Face Here: British Cult Movies Since The Sixties (Fourth Estate, 2001) ISBN: 0007145543

[edit] External links

• Quadrophenia at the Internet Movie Database
• Quadrophenia (film) at Rotten Tomatoes

The Who
Roger Daltrey | Pete Townshend | John Entwistle | Keith Moon
Kenney Jones - John "Rabbit" Bundrick - Pino Palladino - Zak Starkey Simon Townshend - Jon Carin - Simon Phillips - Doug Sandom - Colin Dawson
Listings
Personnel - Discography - Filmography - The Who in popular culture
Other related people
Peter Meaden - Kit Lambert - Chris Stamp