Izanami
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In Japanese mythology, Izanami (Katakana: イザナミ; Kanji: 伊弉冉尊 or 伊邪那美命, meaning "She who invites") is a goddess of both creation and death, as well as the former wife of the god Izanagi. She is also referred to as Izana-mi, Izanami-no-Mikoto or Izanami-no-kami.
[edit] Goddess of Creation
The first gods summoned two divine beings into existence, the male Izanagi and the female Izanami, and charged them with creating the first land. To help them do this, Izanagi and Izanami were given a spear decorated with jewels, named Amenonuhoko (heavenly spear). The two deities then went to the bridge between heaven and earth, Amenoukihashi (floating bridge of heaven), and churned the sea below with the spear. When drops of salty water fell from the spear, they formed into the island Onogoro (self-forming). They descended from the bridge of heaven and made their home on the island. Eventually they wished to be mated, so they built a pillar called Amenomihashira and around it they built a palace called Yahirodono (the room of eight footsteps?). Izanagi and Izanami circled the pillar in opposite directions, and when they met on the other side, Izanami spoke first in greeting. Izanagi didn't think that this was the proper thing to do, but they mated anyhow. They had two children, Hiruko (watery child) and Awashima (island of bubbles) but they were badly-made and are not considered deities.
They put the children into a boat and set them out to sea, then petitioned the other gods for an answer as to what they did wrong. They were told that the male deity should have spoken first in greeting during the marriage ceremony. So Izanagi and Izanami went around the pillar again, and this time, Izanagi spoke first when they met, and their marriage was then successful.
From their union were born the ohoyashima, or the eight great islands of the Japanese chain:
They bore six more islands and many deities. Izanami died giving birth to the child Kagu-Tsuchi (incarnation of fire) or Ho-Masubi (causer of fire). She was then buried on Mt. Hiba, at the border of the old provinces of Izumo and Hoki, near modern-day Yasugi of Shimane Prefecture. So angry was Izanagi at the death of his wife that he killed the newborn child, thereby creating dozens of deities.
[edit] Goddess of Death
Izanagi lamented the death of Izanami and undertook a journey to Yomi ("the shadowy land of the dead"). Quickly, he searched for Izanami and found her. At first, Izanagi could not see her at all for the shadows hid her appearance well. Nevertheless, he asked her to return with him. Izanami spat out at him, informing Izanagi that he was too late. She had already eaten the food of the underworld and was now one with the land of the dead. She could no longer return to the living.
Izanagi was shocked at this news but he refused to give in to her wishes of being left to the dark embrace of Yomi. While Izanami was sleeping, he took the comb that bound his long hair and set it alight as a torch. Under the sudden burst of light, he saw the horrid form of the once beautiful and graceful Izanami. She was now a rotting form of flesh with maggots and foul creatures running over her ravaged body.
Crying out loud, Izanagi could no longer control his fear and started to run, intending to return to the living and abandon his death-ridden wife. Izanami woke up shrieking and indignant and chased after him. Wild shikome (foul women) also hunted for the frightened Izanagi, instructed by Izanami to bring him back.
Izanagi burst out of the entrance and quickly pushed a boulder in the mouth of the cavern that was the entrance of Yomi. Izanami screamed from behind this impenetrable barricade and told Izanagi that if he left her she would destroy 1,000 residents of the living every day. He furiously replied he would give life to 1,500.
The story has strong parallels with the Greek Myths of Orpheus and Eurydice, as well as to the myth of Persephone and Demeter, the Maya Myth of Itzamna and Ix Chel, and the Akkadian/Sumerian myth of Inanna's Descent to the Underworld. The Shikome, for instance, are parallel to the Maenads who tore Orpheus to pieces.
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