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Do the Right Thing - Wikipedia, the free encyclopedia

Do the Right Thing

From Wikipedia, the free encyclopedia

Do the Right Thing
Directed by Spike Lee
Produced by Spike Lee
Written by Spike Lee
Starring Danny Aiello
Ossie Davis
John Turturro
Ruby Dee
Richard Edson
Spike Lee
Bill Nunn
Rosie Perez
Music by Bill Lee
Distributed by Universal Pictures
Release date(s) France May, 1989 (première at Cannes)
United States June 30, 1989
Running time 125 minutes
Language English
Budget $6,500,000
All Movie Guide profile
IMDb profile

Do the Right Thing is a 1989 motion picture produced, written, and directed by Spike Lee and released by Universal Pictures. The film tells a tale of bigotry and racial conflict in a multi-ethnic community in the Bedford-Stuyvesant neighborhood of Brooklyn, New York, on the hottest day of the year. It stars Lee, Danny Aiello, Ossie Davis, Ruby Dee, Richard Edson, Giancarlo Esposito, Bill Nunn and John Turturro. Do the Right Thing also marks the feature film debuts of both Martin Lawrence and Rosie Perez. It is the second film role ever for Samuel L. Jackson, who plays DJ Mister Señor Love Daddy, an alternative voice of the author to Spike Lee's character.

In 1999, the film was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry. A Criterion Collection DVD of Do the Right Thing has been released: it is no. 97 in the Criterion series.

The song "Fight the Power" by Public Enemy is a recurring aural motif in the film, as blasted from a huge ghetto blaster toted by Radio Raheem (Nunn). It appears fifteen times in the film.


Contents

[edit] Synopsis

The film features a multitude of characters, almost all of whom are portrayed sympathetically. The main character in the film is Mookie (Lee), a young man who lives with his sister and works as a pizza delivery man for the local Sal's Pizzeria. Sal (Aiello), the pizzeria’s Italian-American owner, has owned the shop for decades because he respects his customers. His youngest son Vito (Edson) shares his view, but his eldest son Pino (Turturro) "detests the place like a sickness."

The Bed-Stuy street corner the characters populate is filled with distinct personalities, most of whom are just trying to find a way to deal with the intense heat and go about their regular day-to-day activities. A philandering drunk called Da Mayor (Davis) is constantly trying to win both the approval and affection of the neighborhood matron, Mother-Sister (Dee). Three unemployed men on the corner constantly crack jokes on passersby, and comment on the Korean owners of the nearby convenience store. Mookie's girlfriend, Tina (Perez), is constantly nagging him about caring for their infant son. A young man named Radio Raheem (Nunn) lives for nothing else but to blast Public Enemy's "Fight the Power" on his boombox wherever he goes, and wears a "love" and "hate" four-fingered ring on either hand to symbolize the struggle between the two forces. A mentally handicapped man named Smiley (Roger Guenveur Smith) constantly meanders about the neighborhood, holding up hand-colored (with marking pens) pictures of Malcolm X and Martin Luther King, Jr. We also meet Mookie's sister, Jade (Joie Lee, the director's real life sister), and the local DJ, Mister Señor Love Daddy (Samuel L. Jackson) who operates a radio station nearby and acts as both a narrator and a character.

Buggin' Out (Esposito) is a wannabe Black nationalist who makes sure his points are heard by whoever is in ear shot. Upon entering Sal's shop, he notices that Sal's "Wall of Fame" is decorated with dozens of pictures of celebrity actors, athletes, etc.--all of them Italian. When Buggin' Out questions Sal about the "Wall of Fame" and demands he place some pictures of African-American celebrities on the wall (since, he explains, Sal's pizzeria is situated in a black neighborhood), Sal replies that this is his store, he is proud of his Italian heritage, and that he isn't going to put anyone but Italians on his wall. Buggin' Out attempts to start a protest over the "Wall of Fame", but no one will listen to him or take his trivial issue seriously except for Radio Raheem, who had been criticized by Sal earlier that day for playing his boombox.

Radio Raheem and Buggin' Out march back into Sal's, and stage a sit-in protest until Sal changes the pictures on the wall. Radio Raheem's boombox is blaring, as always, Public Enemy's "Fight the Power", and at the highest volume possible. Sal demands that they turn the radio down or leave the shop, which the two men refuse to do. Reaching his wit's end, Sal snaps and destroys Radio Raheem's boombox with a baseball bat. His prized possession destroyed, Radio Raheem becomes enraged and begins choking Sal. A fight ensues between Buggin' Out & Radio Raheem on one side and Sal & Pino on the other, with Vito and Mookie trying to break it up. The fight spills out into the streets, where a white policeman apprehends Radio Raheem and places him in a choke hold that kills him (a reference to a 1983 incident where graffiti artist Michael Stewart was apprehended for defacing public property and killed by the arresting officer in a similar manner). An underlying issue that instills in this series of arrests is that of six officers present in this mostly African American neighborhood, only one officer on the scene is black and the rest are white. Buggin' Out is arrested, but refuses to go quietly, stating angrily "You're taking me to jail, huh, you're not taking Vito or Pino or Sal.", and "You can't kill all of us" (Referring to the African American race), adding to the tension.

The fight had by this time gathered a large crowd of onlookers, all of whom become enraged after the police kill Radio Raheem. Deciding that the floodgates are going to burst open eventually, Mookie grabs a trashcan and, screaming "HATE!", slings it through the window to Sal's. The angry crowd becomes an angry riotous mob, and rushes into the restaurant and destroys everything within and Smiley starts a fire. Firefighters arrive and begin spraying the building as the crowd are held back by riot patrol. With the crowd becoming more unruly and the police unable to hold them back, the firefighters turn their hoses on those in the mob.

When it is all over, Sal's pizzeria is burned beyond recognition, Sal and his two sons (saved by Da Mayor just before the riot starts) are out of business, Buggin' Out has been carted off to jail, and Smiley, with no one else around to see, wanders back into the smoldering restaurant and, sympathetic to Buggin' Out's cause, hangs on what's left of Sal's "Wall of Fame" a picture of Malcolm X and Martin Luther King, Jr. shaking hands.

The next day, Mookie goes to Sal's, where the two discuss the incident, Mookie gets his money, and he and Sal cautiously reconcile.

The film ends with two quotations. The first, from Dr. Martin Luther King, Jr., argues that violence is never justified under any circumstances. The second, from Malcolm X, argues that violence is "intelligent" when it is self-defense.

[edit] Production

Spike Lee wrote the screenplay in two weeks.[citation needed] The original script of Do the Right Thing ends with a stronger reconciliation between Mookie and Sal. Sal's comments to Mookie mirror Da Mayor's earlier comments in the film and hint at some common ground and perhaps Sal's understanding of why Mookie was motivated to destroy his restaurant. It is unclear why Lee changed the ending. [1]

The film was shot entirely on a real street in the Bed-Stuy neighborhood. The street's color scheme was, however, heavily altered by the production designer, who used a great deal of red and orange paint in order to help convey the sense of a heatwave. The ovens in the pizzeria set were actually operational, and Danny Aiello learned to knead pizza dough in preparation for his role.[citation needed]

Spike Lee campaigned for Robert De Niro as Sal the pizzeria owner, but De Niro had to decline due to prior commitments. The character of Smiley was not in the original script; he was created by Roger Guenveur Smith, who was pestering Spike Lee for a role in the film.[citation needed] In contrast to the serious nature of the film, three of the cast members were stand-up comedians -- Martin Lawrence, Steve White, and the late Robin Harris.

[edit] Controversies

Sal and Mookie in the aftermath of the riot
Enlarge
Sal and Mookie in the aftermath of the riot

The film was released to protests from many reviewers, including Joe Klein in New York magazine; it was openly stated in several newspapers that the film could incite black audiences to riot. In the event, no such riots occurred, and Lee criticized white reviewers for assuming that black audiences were incapable of restraining themselves while watching fiction.

The central question at the end of the film is whether Mookie 'does the right thing' when he throws the garbage can through the window, thus inciting the riot that destroys Sal's pizzeria. The question is directly raised by the contradictory quotations that end the film, one advocating non-violence, the other advocating violent self-defense in response to oppression. Lee himself has stated that this question is only one that bothers white viewers. He believes that the key point is that Mookie was angry at the death of Radio Raheem, and that viewers who consider the riot unjustified are implicitly valuing property over the life of a black man.[1] Mookie tells Sal to "Motherfuck a window. Radio Raheem is dead".

In June 2006, Entertainment Weekly magazine placed Do the Right Thing at #22 on its list of "The 25 Most Controversial Movies Ever".

[edit] Political allusions

The film contains several allusions to recent race-related violent acts.

In the scene in which Mookie shows frustration with his sister for getting too close to Sal, "Tawana told the truth!" is spray painted on the bricks in the rear of this shot. This refers to the 1987 Tawana Brawley rape incident of the late 1980s, and reflects what BedStuy likely thought of the scandal.

[edit] Awards & nominations

1990 Academy Awards

  • Best Actor in a Supporting Role — Danny Aiello (nominated)
  • Best Writing, Screenplay Written Directly for the Screen — Spike Lee (nominated)

1989 Cannes Film Festival

  • Golden Palm — Spike Lee (nominated)

1990 Chicago Film Critics Association Awards

  • Best Director — Spike Lee (won)
  • Best Picture (won)
  • Best Supporting Actor — Danny Aiello (won)

1990 Golden Globes

  • Best Director (Motion Picture) — Spike Lee (nominated)
  • Best Motion Picture - Drama (nominated)
  • Best Performance by an Actor in a Supporting Role in a Motion Picture — Danny Aiello (nominated)
  • Best Screenplay (Motion Picture) — Spike Lee (nominated)

1991 NAACP Image Awards

  • Outstanding Lead Actress in a Motion Picture — Ruby Dee (won)
  • Outstanding Supporting Actor in a Motion Picture — Ossie Davis (won)

1989 Los Angeles Film Critics Association Awards

  • Best Director — Spike Lee (won)
  • Best Music — Bill Lee (won)
  • Best Picture (won)
  • Best Supporting Actor — Danny Aiello (won)

1989 New York Film Critics Circle Awards

  • Best Cinematographer — Ernest R. Dickerson (won)

National Film Preservation Board

  • National Film Registry (1999)

MTV Movie Awards

  • The Bucket of Excellence (lifetime achievement award, 2006)

[edit] Connections with other Lee films

  • In the surreal final scene of School Daze, Dap Dunlap (Laurence Fishburne) pleads with the other characters (and the audience) to "Wake Up!" This exhortation is repeated by Mister Señor Love Daddy (Samuel L. Jackson) at the beginning of Do the Right Thing.
  • The Air Jordan sneaker scuff scene was originally going to be in She's Gotta Have It, where a complete stranger steps on Mars Blackmon's black and red Jordans.
  • Rick Aiello and Miguel Sandoval portray Long and Ponte, two racist police officers who eventually arrest Buggin' Out and kill Radio Raheem. Long and Ponte reappear to harass Wesley Snipes' character Flipper in Jungle Fever.
  • In his 2006 movie Inside Man, Lee references Do the Right Thing by using pizza boxes that read "Sal's" on the lids.

[edit] In popular culture

  • The comedic scenes involving the trio of middle-aged black men chatting on the street corner inspired animator Mike Judge to create the television show King of the Hill. He recalls, "I loved the moments of the old guys sitting out there, talking about the Korean grocer. I thought somebody should make a movie like that, but just about my suburban neighborhood." [2]

[edit] Notes

  1. ^ 'Spike Lee's Last Word', special feature on the Criterion Collection DVD (2000)

[edit] References

  • Spike Lee's Last Word. Documentary on the Criterion Collection DVD of Do the Right Thing. 2000.
  • Spike Lee et al. Commentary on the Criterion Collection DVD of Do the Right Thing. 2000.
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[edit] External links


Films directed by Spike Lee
Joe's Bed-Stuy Barbershop: We Cut Heads • She's Gotta Have It • School Daze • Do the Right Thing • Mo' Better Blues • Jungle Fever • Malcolm X • Crooklyn • Clockers • Girl 6 • Get on the Bus • 4 Little Girls • He Got Game • Freak • Summer of Sam • The Original Kings of Comedy • Bamboozled • A Huey P. Newton Story • Jim Brown: All-American • Sucker Free City • 25th Hour • She Hate Me • Inside Man • When the Levees Broke


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